Duo, trio or quartet. Jazz improvisation, and - oh, lots of stuff.
The constellation.
Booking Dan.
Pick the size that fits your space, and Dan will write back.
Standards and originals, for a bar that listens. Bossa and choro to open, something louder to close.
Loud enough for a field: hot-club swing, Motown and free jazz. The résumé includes the Monterey Jazz Festival Big Band and the Burning Man Jazz Café.
Free improvisation for the room and the work on its walls. Winds with bass or guitar, quiet enough to talk over. For openings, residencies and late nights.
Last night Pluto. Next stop Saturn.
The third stop is open. Tell Dan where and when.
Where Dan is playing.
Join the list ↗Come say hello after the set.
The archive.
Past shows from twenty-five years, on two coasts and on tour. Not a complete list.
The set.
A few tracks. There's more on SoundCloud and Spotify.
“…curling his sinewy lines that refuse to be intimidated.”
“Dan Magay’s alto sax snags your imagination and makes you forget everything around you except the music. The guy’s dynamite.”
“The guy takes off like a terrified, electrified swallow, painting notes in places you weren’t expecting to hear them.”
“A conversational approach to the alto very akin to that of Eric Dolphy — from fierce screams to lilting melody, short staccato bursts of pure energy, or long sinewy lines of bebop-like convolution.”
“A free-sax blast of sound gripping in its precision and energy — a real breath of fresh air, even if it hits your eardrums at dangerous velocities.”
Bring Dan to your stage.
Duos, trios or a quartet. Tell Dan the date, the place and what you have in mind. Rider on request.












